Amel Afzal

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The Pencil is Key

Recently strolled over to the Drawing Center in SoHo to go see the exhibition “Pencil is Key” which is a collection of drawings by incarcerated artists.

The Pencil Is a Key is an exhibition of historical and contemporary drawings by incarcerated people from all over the globe. Works by artists who were or currently are prisoners will be juxtaposed with drawings by prisoners who became artists while incarcerated.

Examples include drawings by political prisoners like Gustave Courbet, who was held in Saint Pélagie Prison for his role in the Paris Commune uprising of 1871, artists incarcerated during World War II as noncombatants like Hans Bellmer, who was interned in France, and a young Ruth Asawa, who was interned by the US government because she was a Japanese American; as well as artists in Soviet Gulags, Apartheid-era South Africa, in Central and South American countries under military dictatorships, and in the post-Arab Spring Middle East. 

Drawing is vital to those in captivity; it is a vehicle through which they proclaim their individuality, express their hope, and imagine their freedom.

The drawings featured in this exhibition present powerful evidence of the persistence of human creativity in the most inhumane of circumstances and argue for the necessity of art—in the form of drawing—to the life of every human being. Created in extreme circumstances, the drawings in this show are weapons in the fight for justice, records that bear witness to terrible circumstances, containers of memory, and portals to a better future.